东华大学上海国际时尚创意学院

服装创意设计

2022届毕业设计

[零维]

事物的基点，宇宙的起始，表达了时间的不间断与前进。意从微观的思想处启发，在不断发散的过程中将思想立体化与具象化，成为可溯源的灵感原点。2022届上海国际时尚创意学院服装与服饰设计与环境设计两个专业毕业生，围绕个体、社群、地域与未来四个主题来探索新世代青年设计师的多元创新思维。

作品网站截图

[部分优秀作品预览]

记住一棵树

Remember A Tree

我们与树木的初始关系中，美学的成分高于科学。”我的系列设计从人脑储存的记忆入手,讲述了我的真实记忆。由此引发了我对自然与科技的思考，去探求两种存在方式的平衡。对于有着异曲同工之处的我们与人工智能而言，人脑中应该留下一片不一样的树林。久远的记忆终究是不完整的，飘渺的，我尝试去勾勒这种感觉，再用生物面料去封存它，使我与树的记忆，在象征意义上永存。

The aesthetic component of our initial relationship with trees takes precedence over science. The design of my collection starts with the memories stored in the human brain and tells the story of my real memories. This has led me to think about nature and technology, to explore the balance between the two ways of being.We have similarities with artificial intlligence but there should be a different forest’ in the human brain. I try to sketch this feeling and then seal it with biological fabric, so that my memory with the tree, in a symbolic sense, will last forever.

嗅觉记忆

Olfactory Memory

嗅觉，一直是很神秘的一种感知。人们在日常生活中主要通过视觉和听觉来接受信息，与视觉相比，嗅觉更容易引起一些生理上的反应。人们对嗅觉刺激更加敏感，能够记住特定场合的某种气味，或者记住具有特定气味的东西。当我们闻到某种气味时，我们可能会想起过去的一些事情。这个系列将这一种嗅觉记忆的状态可视化，可以更直观的去表现嗅觉的感官感受，将更多的情感融入到服装设计中。

Smell has always been a very mysterious perception.People receive information mainly through visual and hearing in their daily life.Compared with them,olfactory is more likely to cause some physiological responses. People are more sensitive to olfactory stimuli and are able to remember a particular smell in a particular situation or something that has a particular smell. When we smell something, we seem to recall something from the past. This series visualizes the state of the olfactory memory, which can more directly express the sense of smell, and integrate more emotion into the fashion design.

开关

Switch

在成年初显期，年轻人迈入了孩童世界和成人世界的夹缝中。与此同时，一种特殊的开关出现了，通过它，人们可以任意切换到成年模式或孩童模式。然而，有时开关会短路，致使他们感到迷茫和挣扎。这个系列以可变形女装为媒介，尝试结合开关这一概念来表达当下年轻人特有的矛盾心理。

In the emerging adulthood,young people step into the gap between the world of children and the world of adults. At the same time, a special switch appeared,through which people can switch to adult mode or child mode at will.However, sometimes the switch will short out, leaving them feeling lost and struggling.This collection uses transforming womenswear as a medium, trying to combine the concept of switch to express the ambivalence which is unique to young people today.

电子晕眩

Electronic Dizziness

人脑通过视觉接受外部信息的比例高达83%，但在高数字信息化时代的背景下，电子光屏的飞速普及和长时间的不良使用习惯，导致患有视频终端综合症人群日益增长。散光、近视和视觉晕眩都是常见的视频终端综合症。我想探索患者的视觉世界，提取其视角中图像的扭曲、变形和重影的规律，在针织服装上进行多种形式的视觉表达，实现患者视角的电子晕眩图像具象化表达。

The human brain receives 83% of external information visually,but in an era of high digital information technology. the rapid spread of electronic light screens and prolonged poor usage habits have led to an increasing number of people suffering from visual screen terminal syndrome.Astigmatism,myopia and visual dizziness are all common forms of visual terminal syndrome.1 want to explore the visual world of patients, extract the patterns of distortion, deformation and ghosting of images in their perspectives, and perform various forms of visual representation on knitted garments to realize a figurative representation of electronic dizzy images in patients’ perspectives.

内卷焦虑症

INVOLUTIONAL ANXIETY DISORDER

 “内卷”这一概念到2021年逐渐转化为可以代指一种非理性内部竞争的社会现象。它作为时代的产物，映射了年轻人的心理素质、责任感，引发了对于自我情绪的消耗，占据和挤压。我的系列设计从自身工作状态的身体动态线作为切入点，利用针织面料的工艺原理进行结合和再设计。

The concept ofinvolutionhas gradually been transformed in 2021 to refer to a social phenomenon of irrational internal competition. As a product of its time, it maps the psychological qualities of young people, their sense of responsibility, and triggers the consumption, accupation and squeezing of the emotions of the self.The design of my collection takes the dynamic line ofmy own body at work as an entry point, and uses the principles of knitled fabric craftsmanship to combine and redesign.

迁徙

MIGRATION

成群结队的候鸟每年在寒冷的北方和温暖的南方之间迁徙，鸟群在天空中飞行，看似杂乱无章，但是从宏观的角度来看鸟群是极富有规律的。设计师从鸟类迁徙中得到灵感，深入研究鸟类迁徙与服装设计结合的可能。在后疫情时期，通过服装数字化手段探索服装新的表现形式。

Flocks of migratory birds migrate between the cold north and the warm south every year.The birds fly in the sky, seemingly chaotic,but from a macro perspective,the birds are extremely regular. Inspired by bird migration, the designer deeply studied the possibility of combining bird migration with fashion design. In the post-epidemic period, explore new forms of garment through fashion digitization technology.

2022年是时代的驿站，

是变革与继往开来的一年。

愿上海国际时尚创意学院每一位应届毕业生，

以好奇心、洞悉力与创新力，服务国家与民生，

以炙热的青春激情与时代精神，

谱写人生的多彩篇章！